May 2019

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When: 15/03/19 - 15/03/19

Tickets: From €50 (children under 12 years old reduced tickets for Purple Left and Right Tables and Center Chairs)

About the event:

Boyishness, audacity, laughter, "unbearable lightness of being." Maxim Galkin - Cheshire Cat from “Alice in Wonderland”, whose smile continues to hover over the stage even after the artist hides behind the curtain.


More about the event:

Ungrateful business: to describe in words sketches, improvisations and replicas of a popular parodist. They should be seen and heard while sitting in the auditorium, which continually exploded with laughter and applause.


Maxim: relaxed, gallant (and slightly hooligan, as always), swimming in the waves of spectator love. Not a single “take-away” of the traditional bouquet from the spectators is left without his grateful attention. Maxim is all of himself: sarcastic, easily sliding on the surface of his jokes, which are often on the verge of a foul; but - not losing tact and love for the audience.


His brilliant parodies and reincarnations of the monsters of Russian and foreign show business are always so accurate that it is unknown who applauded the audience - whether Galkin, or - suddenly appeared on stage Muslim Magomayev, with his famous "The night passes, the sun rises .."? Or Alexander Serov, who smoothly goes to Dima Bilan and Baskov? She put her nose “Verka-Serdyuchka”, and she was replaced by Renata Litvinova - “Marlene Dietrich of our days”; She also hid herself - the loud Masha Rasputin appeared in one bottle with Zhanna Aguzarova ... Suddenly - in one breath - Anna Netrebko's angel soprano, so visible, flourished on the scene - so many people had to pinch their hands. But it was not there, and “the music did not last long”! Philip Kirkorov's real sonorous baritone replaces the immortal aria - and again the entire auditorium is torpedoed. And again on the stage: here it is all, only Maxim Galkin. Alone, but with a thousand faces and images behind him. “Laughing, mankind is parting with its past” - this is a well-known quotation that has become such a commonplace. Leading talk shows, singers, politicians - masterfully overlooked and copied by Maxim even become something “closer and more familiar” to us, ordinary viewers.


Perhaps this is the grain of truth. And the Artist seems to have nothing to do with it, but he closely observes the smallest strokes and gestures, bringing them into his invisible gallery of parodies. Outwardly simple, but so all-knowing. Sparkling with laughter, but with a wise smile of a faun. After all, we will never find out behind a multitude of masks - is it really funny for Himself? Or not? To him, hidden behind applause and our laughter at his jokes? “You know, I would love to go to my concert with pleasure, he is so good!” - Maxim is peering again.

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